Why i admire Nadav kander

My portrait of Samara

Nadav Kander, to me, is much more than your average Joe Blow photographer.
When I look at one of his portraits, I am first taken by the subject of the picture.

After this, I consider the technique of how this image was made. 
Colours, textures, light treatment. 
It all treats me to a visual celebration that is distinctly the work of this tall, soft spoken Israeli expat. 

Nadav's work makes the viewer see the subject while appreciating the feelings that inevitably rise to the surface. The portraits are not about cameras and lenses, Photoshop or filters. These images are about emotion, life, feeling, place, origin, character. As he has indicated, his work is metaphorically like chocolate cake. With mustard. I agree.

I look to his work when I want to feel something. His images are moments in time being presented for you to respond to in whatever way you deem to be appropriate at that moment. His portrait work celebrates not only the subject, but also the way in which the viewer responds, reacts.

He doesn't talk about technique, camera models, lens aberrations, post-processing. None of that matters in his work. His work is that of an artist, with a camera. He is an artist with a camera, creating work that means something.

I aspire to be able to create work that is stylistically and distinctly mine, but work that has the power to instigate thought in the viewer, just as his does. Those of us who are privileged to be aware of his work, will undoubtedly be impacted by it. I certainly am. Having learned of his work just last year, I have noticed a difference in my portrait work. A more cohesiveness and work that has a deeper meaning than those of simple portraits. From here, I can only grow. From here, I can become a true artist.